Bethesda Blues and Jazz Supper Club – Wisconsin Ave. Bethesda, MD
I played Friday night at the new Bethesda Blues and Jazz Supper Club in Bethesda, MD with Jr. Cline and the Recliners. I was playing the third horn chair (they usually only use two but add a third for the bigger gigs) so I was on alto and bari for this gig. It was a great show for quite a few reasons. First and foremost, we had the addition of Julia Nixon on vocals. Julia is a top notch singer who was a mainstay in the DC area for years although I believe she lives in North Carolina these days. Having her on stage really made a special night even better. The gig was also special for me because it was my first one with the ten-piece show version of the band. It went very well in spite of only one rehearsal with the full band (actually no rehearsals with Julia although most of the guys have worked with her before).
What a Beautiful Room!
The club is absolutely gorgeous and is set up perfectly for concerts. It seats a few hundred people at dining tables, has a large area available as a dance floor, and has house PA and lights. The stage is plenty big and the acoustics of both the stage and the room in general are excellent. The food is excellent although maybe a little pricey but the band can order whatever they want for half price. In addition, everyone we dealt with was very nice and supportive of the band and our efforts.
It’s often said that the things that burn the hottest burn out the quickest and, much like the Tally Ho where I played a couple weeks ago, it takes a lot of support to keep them great. This is the kind of place we need to have around both for fans to have a nice place to go as well as for bands to have accommodating places to play. If you’re interested in seeing great bands in a great environment then make sure to frequent places like this to make sure they stay around.
One last thing. I finally managed to get a Jazzlab Sax Holder and it arrived just in time for the gig. I actually tried it out for the first time on stage. I will post a full review very soon but I’ll say this (Spoiler alert!) I think it’s a keeper.
Last night the Crack Pack horns (same as the Retox Horns – Dave Makowiecki, Jim McFalls, and me) played with Crack the Sky at Ram’s Head Live in Baltimore. The place was absolutely packed and we had a great time. We played two of the songs we recorded for the most recent CD, Ostrich, as well as the “usual suspects” of Skin Deep, She’s a Dancer, Mind Baby, and I Am the Walrus from the Beatles (always the closer). I once again played the Cannonball Raven tenor because it’s really tight and the intonation is pretty well locked in. I am still having trouble with a sticky G# key that is really getting on my nerves but I’m getting better at prepping the horn to limit it as much as possible. I’m mostly annoyed because I took it back where I bought it to have them look at it, it took them ten days to get it done, and it’s still exactly the way it was. I’m going to take it to my regular tech soon.
I’m also getting ready to play some high-profile gigs with Jr. Cline and the Recliners. The first one is in two weeks at the Bethesda Jazz and Blues Supper Club in Bethesda, MD. I’ve played with Daryl before but it was with the smaller club band, This gig is the first of a series with a ten-piece group (three horns) and I’ll most likely be playing alto and bari (bari for sure but it looks like alto will be a double). I’m pretty much caught up to where I was years ago on the bari with the possible exception of some endurance but I’ve been practicing a decent amount on alto to make sure that’s up to speed as well. I was playing alto in New Monopoly but only on a couple of tunes a night. I’m liking it more and more. I just had my horn (Buffet 400) in to the shop for some adjustment and it feels awesome. I’m also really happy with the Phil-Tone Custom (now called an Aurora) that has been my main piece for a couple of years.
I have been writing a lot of charts to get ready for the gig because there is no Eb book and it’s just too mind-bendingly hard to sight transpose the Bb book for me. I am still using Muse Score for this because it’s both free and (at least for me) very easy to use. I like the fact that I can enter everything need with the computer keyboard and a mouse so I can work on charts wherever I have access to a computer. I’ve achieved a great comfort level with this entry method and can get through several tunes an hour if I’m not too distracted. I don’t even bother printing them out because I read everything from my iPad these days. I just export as a PDF, upload them to my Dropbox folder as a backup and then grab them from the pad. If I was doing more charts I would probably consider going for Sibelius but for my purposes, this free program does everything I need.